PEARLS BEFORE SWINE : ONE NATION UNDERGROUND / BALAKLAVA
Label : ESP-Disk
Length : 64:41
Released : 1967 (One Nation Underground) / 1968 (Balaklava)
Review for One Nation Underground (AllMusic) : Psychedelic-folk debut from one of the most erudite, literate minds in rock, Thomas D. Rapp (and the first of his ever-changing Swine). Although the songs here lack some cohesion, this is still a stunning piece of work, from the nightmarish sleeve art - the "Hell Panel" from Hieronymus Bosch's 15th century painting "Garden of Delights" - to the strange yet powerful songs. "Another Time," the most memorable selection, is an understated acoustic song, the first that Rapp ever penned, based on his experience in a horrific car crash where he walked away unscathed. Of similar mood is the beautiful "Ballad of an Amber Lady." "Drop Out" is a straightforward song built around a popular credo of the '60s. "Uncle John" is one of the earliest protest songs about the Vietnam War. Strangest (and funniest) of all is "(Oh Dear) Miss Morse," where Rapp adopts a Victorian persona and sounds out the Morse code spelling of F-U-C-K, accompanied by banjo and Farfisa organ. Considering Rapp's fascination with history, it's not surprising that one of the songs here, "I Shall Not Care," features a co-writer credit to "Roman Tombs." The cryptic words that comprise this song's title were discovered on a tomb that dates to the final days of the Roman Empire.
Review for Balaklava (AllMusic) : A record that virtually defies categorization, Pearls Before Swine's 1968 epic Balaklava is the near-brilliant follow-up to One Nation Underground. Intended as a defiant condemnation of the Vietnam War, it doesn't offer anthemic, fist-pounding protest songs. Instead, Rapp vented his anger through surrealist poetry, irony, and historical reference: Balaklava was the 1854 Crimean War battle that inspired Alfred, Lord Tennyson to write his epic The Charge of the Light Brigade; in reality, the "Charge" was a senseless military action that killed scores of British soldiers. Balaklava begins with "Trumpeter Landfrey," an 1880's recording of the actual voice and bugle charge of the man who sounded the charge at Balaklava. It makes the transition into "Translucent Carriages," a mix of acoustic guitars, a basic vocal, and ghostly narration ("Jesus raised the dead...but who will raise the living?"), all the more stunning. "Images of April" continues the mystical feel, combining flutes, cricket chirps, and frog croaks for a nether-worldly effect. Rapp virtually cries "I Saw the World," backed by a powerful string arrangement that makes the song even more impassioned. Like One Nation Underground, Balaklava is somewhat unfocused: "There Was a Man" is a little too Dylan-esque, and Leonard Cohen's "Suzanne" detracts from Rapp's compositions. Unfortunately, the record closes with "Ring Thing," a morbid piece that refers to Tolkien's famous Lord of the Rings trilogy. Still, this is superb psychedelic music, successfully merging exotic instruments like marimba, clavinet, French horn, and swinehorn with Rapp's unique lisping vocals. But Balaklava isn't just acid-trip background music. It's probably the best example of what Rapp calls "constructive melancholy" (also the name of a recent CD collection of Pearls songs), a combination of the real with the surreal, and it's indispensable to any serious '60s rock collection.