THE NICE : LIVE SWEDEN '67

1. She belongs to me
2. Flower king of flies
3. Sombrero Sam
4. You keep me hangin' on
5. The thoughts of Emerlist Davjack
6. Rondo

Label : London Calling

Length : 40:02

Venue : Konserthuset, Stockholm, Sweden

Recording Date : December 1967

Release Date : 2018

Review (Discogs) : Fresh from a British tour with Jimi Hendrix and Pink Floyd, in mid-December 1967 The Nice paid a short visit to Scandinavia and performed this session for broadcast on Sveriges Radio in Gothenburg. It captures the quartet at their early peak, playing a blend of covers and tracks from their newly recorded (and not yet released) debut LP, including a mind-blowing rendition of their signature piece, Rondo. Preserved in superb fidelity, with remarkable contributions from guitarist Davy O'List and the inimitable Keith Emerson, the set is presented here in full, together with background notes and images. Although the exact day and venue of the show is unknown, it's probably Stockholm's Konserthuset.

Review (AllMusic) : The Nice were booked to play live on Swedish radio in the fall of 1967, prior to the release of their debut record while they were still a quartet. Organist Keith Emerson was not yet the dominate force he became following the departure of guitarist Davy O'List, who is quite prominent on this session. The music is a bit of a mishmash, with Bob Dylan's "She Belongs to Me" starting a bit erratically but finally coming together. Their own composition "Flower King of Flies" has a more subtle vocal by bassist Lee Jackson than the studio version they eventually released, though he has trouble staying in tune. The instrumental jam upon jazzman Charles Lloyd's "Sombrero Sam" seems a bit like filler, but the turkey of the evening is a forgettable cover of Vanilla Fudge's overwrought "You Keep Me Hanging On." A quick take of their own "The Thoughts of Emerlist Davjack" is followed by the gem of the date: a 12-minute workout of "Rondo," better known as jazz pianist Dave Brubeck's "Blue Rondo à la Turk" (though the Nice were initially credited with composing the piece by their own label, Castle gets it right). This version of "Rondo" easily eclipses alld(e the other versions by the Nice (even though the rhythm is still very stiff compared to its composer's recordings) because of the interaction between the organist and the guitarist. Considering the vintage of this long overlooked music, the sound is quite good, so any fans of the Nice should consider this to be a lost treasure worth acquiring.