PAUL McCARTNEY : PAUL IS LIVE |
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Label : Capitol Records Venue : Arrowhead Stadium, Kansas City, MO + Folsom Field, Boulder, CO + Giants Stadium, East Rutherford, NJ + Blockbuster Pavillion, Charlotte, NC + Paramatta Stadium, Sydney, NSW Australia + The Alamodome, San Antonio, TX + The Georgia Dome, Atlanta, GA, USA Recording Date : March 1993 + May, June 1993 Release Date : November 8, 1993 Length : 77:07 Review (Wikipedia) : Paul Is Live is a live album by Paul McCartney, released in 1993 during the New World Tour in support of his studio album Off the Ground, released that same year. Paul Is Live contains live recordings of McCartney and his touring band—which at the time included his wife Linda and guitarist Robbie McIntosh—performing songs by McCartney's former bands The Beatles and Wings, as well as songs from his solo career. The tracks included on the album were recorded at various concerts during his New World Tour, in several American cities and in Australia. The title of Paul Is Live is a parody to the "Paul is dead" conspiracy theory, and the album's cover artwork, which is based on that of the Beatles' 1969 album Abbey Road, contains multiple references to the theory. Paul Is Live was McCartney's last live album for nine years, until the release of the double live album Back in the U.S., which coincided with his 2002 Driving World Tour. The album's title is a response to the "Paul is dead" rumours after the 1969 release of the Beatles' penultimate studio album, Abbey Road. The photograph used for the cover is from the same August 1969 photo session as the photo used for the Abbey Road album cover, with some digital manipulation. Differences between the two photos include different people and vehicles in the background, and on the Abbey Road cover, George Harrison is partly obscuring the left rear corner of the white Volkswagen Beetle, which is parked half up on the kerb on the left, whereas the cover of Paul Is Live gives a clear view of the car. Review (AllMusic) : Paul McCartney's fourth live album in four years (including Tripping the Live Fantastic: The Highlights) is arguably his weakest yet, full of competent but utterly unnecessary versions of Beatles classics and recent McCartney numbers. Really, does anyone need to hear a live version of "Biker Like an Icon"? And after putting out two separate live albums from his previous tour, it smacks of overkill to release this record, which has the exact same band and tone as Tripping the Live Fantastic. |