NICK CAVE & THE BAD SEEDS : THE BOATMAN'S CALL

 

  1. Into My Arms
  2. Lime Tree Arbour
  3. People Ain't No Good
  4. Brompton Oratory
  5. There Is A Kingdom
  6. (Are You) The One That I've Been Waiting For?
  7. Where Do We Go Now But Nowhere?
  8. West Country Girl
  9. Black Hair
  10. Idiot Prayer
  11. Far From Me
  12. Green Eyes

Label : Mute

Release Date : March 3, 1997

Length : 51:56

Review (AllMusic) : Murder Ballads brought Nick Cave's morbidity to near-parodic levels, which makes the disarmingly frank and introspective songs of The Boatman's Call all the more startling. A song cycle equally inspired by Cave's failed romantic affairs and religious doubts, The Boatman's Call captures him at his most honest and despairing -- while he retains a fascination for gothic, Biblical imagery, it has little of the grand theatricality and self-conscious poetics that made his albums emotionally distant in the past. This time, there's no posturing, either from Cave or the Bad Seeds. The music is direct, yet it has many textures, from blues to jazz, which offer a revealing and sympathetic bed for Cave's best, most affecting songs. The Boatman's Call is one of his finest albums and arguably the masterpiece he has been promising throughout his career.

Review (Wikipedia) : The Boatman's Call is the tenth studio album by the Australian rock band Nick Cave and the Bad Seeds, released on 3 March 1997 by Mute Records. The album is entirely piano-based, alternately sombre and romantic in mood, making it a marked departure from the bulk of the band's post-punk catalogue up to that point. The Boatman's Call remains one of the most critically acclaimed releases of Nick Cave's career. Recording for the album began at Sarm West Studios in London, England in mid-1996, with "The Garden Duet", one of the album's outtakes, being the first song recorded. Though the bulk of The Boatman's Call was recorded at Sarm West, further recordings—including overdubs—were later done at Abbey Road Studios. Musically, the album's tone is considered sombre and minimalist and marks a major departure for Cave and the Bad Seeds. Moving away from full-band arrangements and character-based narratives, the album's music and lyrics move towards the more intimate sound of Cave's solo voice accompanied by piano or a few other instruments. The tempo is also generally slow, reflecting many of the moods of the songs. Many of the lyrics seem to reflect on Cave's personal relationships and spiritual yearnings at the time of writing. Some songs are thought to be directed at either the mother of Cave's oldest son Luke, Viviane Carneiro (in "Where Do We Go Now But Nowhere?") or singer PJ Harvey, with whom he had a brief relationship around that time (as referenced in "West Country Girl", "Black Hair" and "Green Eyes"). "Green Eyes" includes a line from "Sonnet 18" by the French Renaissance poet Louise Labé (Kiss me, rekiss me, & kiss me again). Cave performed "Into My Arms" at the 1997 funeral of INXS vocalist Michael Hutchence, an old friend from Cave's youth, and requested that the TV cameras be shut off for his performance out of respect for Hutchence. The song "People Ain't No Good" was also featured in the film Shrek 2 (2004). The song "There Is a Kingdom" was featured in the film Zack Snyder's Justice League (2021). In October 2010, the album was listed in the top 30 in the book, 100 Best Australian Albums (2010). The Boatman's Call received almost unanimous critical acclaim upon release with many reviewers citing it as Cave's most poignant album. Writing in NME, James Oldham concluded that the album is "a stark look at all that he's been through, recounted with withering bleakness and arid humour", noting "Cave's magnificent lyrics, riddled with comic misanthropy and New Gospel humanity", and "their starkly beautiful accompaniments". The magazine rated it as the 23rd best album of 1997. The album was also included in the book 1001 Albums You Must Hear Before You Die (2010).