LEONARD COHEN : LIVE IN DUBLIN

  1. Dance Me To The End Of Love
  2. The Future
  3. Bird On The Wire
  4. Everybody Knows
  5. Who By Fire
  6. The Gypsy's Wife
  7. Darkness
  8. Amen
  9. Come Healing
  10. Lover, Lover, Lover
  11. Anthem
  12. Tower Of Song
  13. Suzanne
  14. Chelsea Hotel #2
  15. Waiting For The Miracle
  16. The Partisan
  17. In My Secret Life
  18. Alexandra Leaving (Sharon Robinson)
  19. I'm Your Man
  20. Recitation w/ N.L.
  21. Hallelujah
  22. Take This Waltz
  23. So Long, Marianne
  24. Going Home
  25. First We Take Manhattan
  26. Famous Blue Raincoat
  27. If It Be Your Will (The Webb Sisters)
  28. Closing Time
  29. I Tried To Leave You
  30. Save The Last Dance For Me

Label : Columbia Records

Venue : O2 Arena, Dublin, Ireland

Recording Date : September 12, 2013

Release Date : December 2, 2014

Length : 179:16

NTSC : 16:9

Review (AllMusic) : Leonard Cohen seems singularly determined to document his adventures in live performances which began when he returned to the concert stage in 2008, and Live in Dublin is the third live album Cohen has released in just five years. Given how satisfying 2009's Live in London was, one might reasonably wonder how badly one would need another concert souvenir, especially in such a short period of time, but comparing Live in Dublin with Live in London and 2010's Songs from the Road, one can readily see how Cohen's live show has seasoned since he returned to duty. If Live in London documented an unexpectedly revitalized and engaging performer, Live in Dublin shows he's since grown into a showman in the best sense of the word. If Cohen seemed pleased to greet his audience in 2009, on this recording of a September 2013 concert, the venerable singer and songwriter delights in the push and pull between himself and those who've come out to see him, and his songs of love and Eros have actually become more vital as Cohen's performances have gained strength, confidence, and passion; if a sandy-voiced septuagenarian could ever make a convincing seducer, it's this guy. Cohen's voice is still as craggy as one might expect from a man of 79, but his phrasing is bold and well-considered, and if his instrument sounded better in the '70s, in the truest sense Cohen is singing better than he has in his life. Cohen's backing band has gone through a few changes since his version of the never-ending tour began, and the occasional horn solos and jazz fusion accents that appeared on Live in London have faded into a more elemental sound that serves the songs much better than before, with Alex Bublitchi's violin and Javier Mas' laud and bandurria accenting the arrangements beautifully. The interplay between Cohen and his backing vocalists Sharon Robinson, Charley Webb, and Hattie Webb has only become warmer and more satisfying over the space of five years, and with three hours of music, you can't say Cohen and his band aren't delivering value for your entertainment dollar. Line in Dublin reveals Leonard Cohen is actually growing and improving as a performer as his 80th birthday looms on the horizon, and this unexpected and welcome new chapter in his career continues to reap surprising and delightful rewards.

Review (Wikipedia) : The album was released on 2 December 2014 and was recorded in September 2013 at Dublin's The O2 Arena. After only releasing two live albums in the first 24 years of his recording career, Live in Dublin was Cohen's fourth live LP since 2009. The album is very similar to the album Live in London but contains renditions of several songs from his more recent albums, such as "Amen", "The Darkness", "Alexandra Leaving", and "Come Healing." The album received uniformly positive reviews upon its release, with aggregator Metacritic calculating a score of 83 out of 100 based on six reviews, indicating "Universal acclaim". While acknowledging that much of the material overlapped with the 2009 release Live in London, Rolling Stone called the new album "well worth the price". In another positive review for Exclaim!, Mackenzie Herd wrote that Cohen "still manages to mesmerize audiences around the world with perpetually relevant and insightful work, leaving packed and satisfied stadiums in his wake like he does here."