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JIMMY PAGE & THE BLACK CROWES : LIVE AT THE GREEK |
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Disc One (54:37)
Disc Two (70:43)
Label : TVT Venue : Greek Theatre, Los Angeles, California, USA Recording Date : October 18 & 19, 1999 Release Date : July 4, 2000 Review (AllMusic) : The Black Crowes were dogged with comparisons to the Rolling Stones and the Faces throughout the first decade of their career, so it came as a mild surprise that they teamed with Led Zeppelin guitarist Jimmy Page in late 1999 for a couple of concerts. Zeppelin had a mystique and majesty about them that the Crowes never attempted to emulate. They were an earthy, bluesy rock band and while they found a number of different ways to rework their influences, they never tried the stately grandeur that was Zeppelin's second nature. So, some observers were curious to see how these two approaches worked. Well, it worked very, very well indeed. It shouldn't have come as a surprise that it was a good, comfortable fit since Page always demonstrated a true love of blues and early rock & roll, even on Led Zep's heaviest moments. What may be a surprise, at least to listeners that always dismissed the Black Crowes as revivalist hacks, is how supple and muscular the band sounds on Live at the Greek and how powerful vocalist Chris Robinson is. The double-disc album, released originally only through the internet but then through retail on TVT, essentially replicates an entire concert from Page and the Crowes, one of the first before they set out on a full-length American tour in the summer of 2000. They stick to Led Zeppelin classics and old blues and R&B standards like "Woke up This Morning," "Sloppy Drunk," "Mellow Down Easy," and "Shake Your Money Maker," plus the Yardbirds' "Shape of Things to Come" and Fleetwood Mac's "Oh Well." No Crowes songs are here due to contractual reasons - the band left American/Columbia in 1999, and they were not allowed to recut any song they released on the label in the years immediately following their departure; but in a way, that only strengthens the album. By pounding out hard-driving blues-rock and classic Zeppelin tunes, the band is able to stretch out and reveal just what a capable, versatile band they are. The true sign of their abilities is that Page sounds looser and happier here than he has in years; he sounds like he's truly enjoying himself, a quality that is debatable on the Page & Plant records, no matter what their virtues are. Live at the Greek isn't a landmark release, and only hardcore Page, Black Crowes, and Zeppelin fans are likely to want this, no matter how vibrant and lucent these faithful interpretations are. But for those fans, they'll be quite pleased with how good, how strong Live at the Greek is. Review (Wikipedia) : Live at the Greek: Excess All Areas is a double live album by Jimmy Page and The Black Crowes, released by musicmaker.com on 29 February 2000[5] and reissued by TVT Records on 4 July 2000. In October 1999, Page teamed up with the Crowes for a two-night performance of material from the Led Zeppelin catalogue and old blues and rock standards. "I didn't really have that much fun doing it," grumbled singer Chris Robinson. "It was alright, and Jimmy's a phenomenal guitarist, but to me it was just a job. I'm not a big fan of Robert Plant's lyrics or his singing, so that part of it was a little boring for me."[6] Contractual problems with their record company prevented the Crowes issuing any of their own songs played at the Greek shows. Also featuring Page with the band, these included "Wiser Time", "No Speak No Slave", "Remedy", and "Hard to Handle".[7][8] The double CD released TVT in 2000 featured a different running order, an extra song, an enhanced QuickTime video and photographs taken during the concert. The Japanese version of the album adds "Misty Mountain Hop" and "In the Light", recorded in 2000. Bassist Sven Pipien, who was fired between the two different releases of the album, was airbrushed out of the group shot that features in the centrefold of the TVT Records version and all subsequent vinyl reissues. The original image appears on the musicmaker.com CD and can also be seen on a Jimmy Page blog. |