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JAMES McMURTRY & THE HEARTLESS BASTARDS : LIVE IN AUGHT-THREE |
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Label : Lightning Rod Records Time : 77:48 Released : March 23, 2004 Venue : The Zephyr Club, Salt Lake City, Utah + The Orange Peel, Ashville, North Carolina + 12th and Porter, Nashville, Tennessee + John Barleycorn's, Wichita, Kansas. Recording Date : May 16th & 17th, 2003 + June 27th, 2003 + June 26th 2003 + November 15th, 2003 Review (AllMusic) : James McMurtry's written plenty of great songs, but he's never made a great album. His character sketches and stories have always rung true, and he's as perceptive a chronicler of the disaffected and alienated as you'll find, but his limited vocal range and sometimes almost-indifferent delivery have made even his best discs, Too Long in the Wasteland and Where'd You Hide the Body a struggle to get through. Live in Aught-Three isn't a great album, but the live setting lets McMurtry and his backing group, the Heartless Bastards, breathe real rock & roll life into many of these songs for the first time. "Levelland," an account of stasis in the fly-over land, aches with a longing for something, anything, that's more exciting than high-school football games and farms, and "Red Dress" burns with an angry intensity that you'd never have guessed McMurtry had in him. We also get a dose of McMurtry's deadpan humor on a few between-song asides ("I used to think I was an artist. Come to find out I'm a beer salesman") and a hilarious delineation between intellectuals and good ol' boys. In fact, the strongest material here -- and McMurtry's best work overall -- are the ones in which he finds both the humor and the pathos in quirky, nasty characters like the ticked-off heir to the worthless farmland of "60 Acres," or the twisted crew at a family reunion in "Choctaw Bingo." If McMurtry's albums haven't caught your attention before, Live in Aught-Three is a perfect opportunity to reassess him. |