GLEN CAMPBELL : DUETS - GHOST ON THE CANVAS SESSIONS

GLEN CAMPBELL : DUETS - GHOST ON THE CANVAS SESSIONS

There's No Me...Without You (with Carole King)
Ghost On The Canvas (with Sting)
Hold On Hope (with Eric Church)
The Long Walk Home (with Hope Sandoval)
Nothing But The Whole Wide World (with Eric Clapton)
In My Arms (with Brian Setzer)
A Better Place (with Dolly Parton)
Strong (with Brian Wison)
A Thousand Lifetimes (with Linda Perry)
It's Your Amazing Grace (with Daryl Hall & Dave Stewart)
Any Trouble (with X)
I'm Not Gonna Miss You (with Elton John)

Label : Big Machine Records

Length : 43:01

Release Date : April 19, 2024

Review (AllMusic) : Pay attention, because this can get confusing. Glen Campbell intended his 2011 album Ghost on the Canvas as a farewell album of sorts. Aware of his declining faculties due to the onset of Alzheimer's, he, his family, and producer Julian Raymond decided that he could summon the energy for a final record, one that was cut between 2009 and 2010. As it turns out, Campbell was well enough to continue recording for a few more years, sessions that resulted in 2013's See You There and 2017's Adiós, albums that found him revisiting his hits and favorite songs, respectively. Campbell died after the release of Adiós, and apart from the release of Sings for the King -- a collection of demo recordings intended as guides for Elvis Presley -- there wasn't much activity on the posthumous release front until Ghost on the Canvas approached its tenth anniversary. Dave Kaplan -- the head of Surfdog Records, the label that put the album out back in 2011 -- decided to revisit the original record by recasting it as a series of newly recorded duets, à la what Natalie Cole did with her father, Nat "King" Cole, and "Unforgettable" in 1991. Enlisting a varied cast of duet partners -- superstars like Carole King, Sting, Elton John, Dolly Parton, and Brian Wilson sit alongside X, Hope Sandoval, Brian Setzer, and Eric Church -- Kaplan retains some of the sumptuous nature of the original Ghost on the Canvas, but opening the album up to other singers removes some of the haunting quality of the 2011 set. Another big difference is the absence of Roger Manning, Jr. songs: every one of his five songs is missing, replaced by "I'm Not Gonna Miss You," the theme song from the 2014 documentary Glen Campbell: I'll Be Me. While some of the pairings seem unnatural on paper, the results are generally seamless: although X may seem painted onto "Any Trouble," they play with great affection, as does Setzer on "In My Arms," while Sandoval suits the delicate "The Long Walk Home," Sting doesn't seem out of place singing Paul Westerberg, nor does Church seem ill at ease with the words of Robert Pollard. Ultimately, Duets: Ghost on the Canvas Sessions is an effective revision of a good album, one that complements the original without replacing it.

Review : Het enige album waarvan bekend is dat het is geschreven en opgenomen terwijl de maker vocht tegen de ziekte van Alzheimer, het 'meesterwerk van museumkwaliteit' (USA Today) dat is opgenomen op Rolling Stone's lijst van 'The 100 Greatest Country Albums Of All Time', is gevuld met eerlijke liedjes over hoop, reflectie, sterfelijkheid, dankbaarheid en acceptatie van het lot. 'Glen Campbell Duets - Ghost On The Canvas Sessions' is een project dat is ontstaan uit liefde voor Glen en zijn prachtige kijk op het einde van zijn leven. Legendes van over de hele wereld en van alle genres (rock, punk, pop, blues, country en meer) kwamen samen om samen te werken met de oorspronkelijke producer en uitvoerend producent van 'Ghost On The Canvas' om een opvallend en tot nadenken stemmend eerbetoon te componeren. Op het album staan duetten met o.a.Brian Wilson, Carole King, Dolly Parton, Elton John, Hope Sandoval, Linda Perry, Sting en Brian Setzer.

Review (Music Station) : Ghost on the Canvas Sessions reimagines Glen’s critically acclaimed 2011 farewell album with some of the biggest icons in music. The project is the first of its kind an album recreated completely as duets posthumously, blending Glen’s original vocals with the talents of artists like Elton John, Sting, Hope Sandoval, Eric Church, Carole King, Eric Clapton, Dolly Parton, Brian Wilson and more to create an artful and unique body of work that celebrates the Rhinestone Cowboy’s final ride. Originally written and recorded while Glen battled Alzheimer’s disease, the album (included on Rolling Stone’s list of “The 100 Greatest Country Albums of All Time”) is filled with honest songs of hope, reflection, mortality, gratitude and acceptance of fate. Glen Campbell Duets - Ghost on the Canvas Sessions is project created out of love for Glen and his beautiful take on the conclusion of his life as legends of all genres came together to work with the original producer and executive producer of Ghost on the Canvas to compose a striking and thought-provoking tribute.

Review (Endless Summer Quarterly) : For me personally, there’s no getting around age. Having just turned 59 in March, I can tell you that I look at life very differently than when Glen Campbell released his original Ghost on The Canvas album in 2011. So much has changed, not the least of which was Glen’s passing on Tuesday, Aug. 8, 2017, at the age of 81 after a six-year struggle with Alzheimer’s disease. I grew up watching The Glen Campbell Goodtime Hour, so I was (more or less) a second-generation fan. Upon my discovery of Glen on the television in 1969 I had no idea he had played with The Beach Boys. Imagine my delight and surprise that he recorded on Beach Boys records and toured as a member of group in late 1964, and through April of 1965. Another very cool/key moment in The Beach Boys canon was when Glen released his solo single “Guess I’m Dumb” on June 7, 1965. The song was written, arranged, and produced by pop kingpin Brian Wilson. The song was under consideration as a Beach Boys song, but Brian had complete trust in his instincts and knew that Glen was the right ‘fit.’ If you haven’t heard 1965’s “Guess I’m Dumb” seek it out. It’s Brian at his best launching the rocket that would become Glen’s amazing career. THE ALBUM: This release has been promoted as the first ‘posthumously-created duets album that re-imagines Glen Campbell’s critically acclaimed, history-making farewell album,’ so I began my listening journey with caution. With AI technology being what it is today, and where it seems to be heading, I have mixed feelings. On one hand, Paul McCartney and Ringo Starr had every right to work in tandem with George Harrison and John Lennon’s estates to work on 2023’s “Now and Then,” and I really enjoyed the recording and accompanying video. So, I see the benefit of the exercise, and in the case of the Ghost on The Canvas Sessions, this project was approached similarly as The Beatles in that they worked with and utilized existing vocals and music. For that reason, I found this collection to be a loving gesture with great merit. I’ve been enjoying the original Ghost on The Canvas album since 2011 and am a major fan of “In My Arms” with its “That Thing You Do” vibe. As a fan of The Beach Boys, you can always get my attention with a great souped-up recording. I went back and listened to the 2011 release before diving into Glen Campbell Duets: Ghost on The Canvas Sessions because it was important for me to feel the intention behind the first iteration’s song cycle. You can tell Glen was saying goodbye. It’s especially poignant now when I listen knowing that he knew he was losing his cognitive abilities. REVIEW: There are moments on this collection that hold true to the emotional weight of the original, but since Glen is no longer here, the sentiment lingers with an unexpected beauty. There’s No Me… Without You (with Carole King): As emotionally present as the original, and here Carole’s voice is perfectly paired with Glen’s … both sounding like old friends sitting down together to remember. That’s why this song and collection works. Ghost on The Canvas (with Sting): Sting has always been a significant source of entertainment in my life, I grew up listening to The Police, saw them in concert on their Ghost in The Machine Tour in 1982, and I’ve followed Sting’s solo career for many years. His appearance on this song is palpable because of the 1982 album, and because Sting’s voice now has a deeper, sand-papery quality: it’s perfect. Hold on Hope (with Eric Church): This is the first time where the album allows itself to go deep country. It’s a nice touch. Here we’re reminded of Glen’s country music roots and the everlasting influence he holds over the genre to this day. Eric’s echoing vocal brings a nice gritty cowboy essence to the entire collection. The Long Walk Home (with Hope Sandoval): One of the few recordings on this collection to begin with the guest vocalist singing first; it’s another homerun for me because I ‘feel’ Hope’s love of singing and her love of Glen in her voice. Nothing But The Whole Wide World (with Eric Clapton): This song fits well in the sequence and sounds like two friends sitting together. Priceless. In My Arms (with Brian Setzer): I have always been a Stray Cats fan, so I was pleased to see Brian Setzer’s name included in this collection. This version, while full of Brian’s great Stray Cats-style guitarwork, doesn’t quite reach the zenith of energy I experience when listening to the original from 2011. A Better Place (with Dolly Parton): Well, it’s Dolly Parton. My heart just melts. I get emotional because I realize Dolly won’t always be here to make the world a better place anymore. And if there’s anyone that’s made the world a better place, it’s Dolly. This is a real tearjerker. Strong (with Brian Wilson): Wow! Just wow!! Brian vocally sounds really good here. This song is great because – and I’ve been saying this for years about different Brian-related projects – of Darian Sahanaja. Not only are there all the little percussion, horn, and vocal parts that are direct nods to “Guess I’m Dumb” by Darian, Paul Von Mertens, Probyn Gregory, Jim Laspesa, Derrick Anderson, and Kaitlin Wolfberg, but the production and musical ‘build’ are perfect. As you might imagine, for reasons outlined in the introduction, this is my favorite track in the collection. Glen and songwriter Julian Raymond originally wrote the 2011 recording, but you might think Brian wrote this because of the ingenious way Brian’s bandmates recorded this new track. A Thousand Lifetimes (with Linda Perry): Here, Linda Perry’s voice rubs up next to Glen’s with life-evaluating lyrics adding an emotional weight to the recording. It’s Your Amazing Grace (with Daryl Hall & Dave Stewart): A beautiful recording, fitting well in the sequence. The musical bridge is a highlight. Any Trouble (with X): This is an unusual and welcomed surprise … fitting snugly into X’s garage band punk rock sound more than anything else and it is a great reminder of Glen’s lasting and musically influential reach. I’m Not Gonna Miss You (with Elton John): Who could possibly better end an album of this nature with this title? There are vocalists and there are vocalists, and Elton John is perfect to sing the acerbic “I’m Not Gonna Miss You.” Notably, this song was not on the original 2011 release; it was recorded by Glen in January 2013, marking his last recording sessions. The song was featured in the touching 2014 Glen Campbell: I’ll Be Me documentary. Campbell and Julian Raymond were nominated for Best Original Song at the 87th Academy Awards.