EMMYLOU HARRIS : THE BALLAD OF SALLY ROSE

 

  1. The Ballad Of Sally Rose
  2. Rhythm Guitar
  3. I Think I Love Him / You Are My Flower
  4. Heart To Heart
  5. Woman Walk The Line
  6. Bad News
  7. Timberline
  8. Long Tall Sally Rose
  9. White Line
  10. Diamond In My Crown
  11. The Sweetheart Of The Rodeo
  12. K-S-O-S
  13. Sweet Chariot

Label : Warner Bros.

Release Date : February 25, 1985

Length : 36:22

Review (AllMusic) : In 1985, anyone with even a passing familiarity with Emmylou Harris' work knew that she was one of the strongest and most insightful interpretive vocalists of her generation, capable of bringing a striking beauty and depth of meaning to anything she chose to sing. However, she very rarely wrote her own material, preferring to explore the nooks and crannies of the work of others. That changed with 1985's The Ballad of Sally Rose, an ambitious and semi-autobiographical album in which Harris told the tale of an aspiring singer and the musician who becomes her mentor, champion, and lover during their short time together. The Ballad of Sally Rose was inspired by Harris' years working with Gram Parsons, who discovered her and helped give her a career, and with producer and co-writer Paul Kennerley she created an album that was part grand storytelling, part memoir, and part tribute to her fallen comrade (though in real life, Parsons and Harris were not romantically involved). Considering that the last time she'd cut songs of her own was on her misbegotten (and largely disowned) 1968 debut, Gliding Bird, Harris shows impressive skills as a tunesmith on The Ballad of Sally Rose; studying the work of great writers was clearly not lost on her, and her lyrics on these tunes are consistently thoughtful, incisive, and emotionally intelligent, and the melodies roll with a graceful assurance that matches the understated sadness of many of the tunes. Kennerley's production is rich but never overstated, dressing the songs in what sounds like an updated variation on classic countrypolitan, and with her Trio partners Dolly Parton and Linda Ronstadt adding harmonies, Harris' backing vocalists sound every bit as skillful as she does. The lack of an obvious single on The Ballad of Sally Rose prevented it from making much of a commercial impact when it was first released, and it was widely regarded as a dud, but the album later developed a loyal following among Harris' fans, and with good cause. It still sounds like one of Emmylou Harris' most heartfelt and personal works, and it opened the door for such late-career triumphs as Wrecking Ball and Red Dirt Girl.

Review (Wikipedia) : The Ballad of Sally Rose is the eleventh studio album by American singer Emmylou Harris released in February 1985. It marked a significant departure for Harris for two reasons. First, all the songs were written by her and her then-husband Paul Kennerley, while her previous albums had consisted mostly of others' material. Secondly, it is a concept album, loosely based on Harris' relationship with Gram Parsons. The album tells the story of a character named Sally Rose, a singer whose lover and mentor, a hard-living, hard-drinking musician, is killed while on the road. Dolly Parton, Linda Ronstadt and Gail Davies sing harmony on several of the songs. Many of the songs flow into one another to create a continuous momentum. Prior to this album, only Harris' 1969 debut Gliding Bird had more than two of her own compositions, a feat she would not repeat until Red Dirt Girl in 2000. Harris has described the album as a "country opera". In a BBC Radio 2 programme recounting her career in 2006, Harris related how the album was a commercial "disaster" upon its release, its relative failure meaning that she would have to work "for money" again. Two singles from the album performed disappointingly by Harris' standards, although the single "White Line" was a reasonable success, reaching No. 14 on the country charts. The Ballad of Sally Rose was nominated for the Grammy Award for Best Female Country Vocal Performance.