BOB DYLAN : UNDER THE RED SKY

  1. Wiggle Wiggle
  2. Under the Red Sky
  3. Unbelievable
  4. Born in Time
  5. T.V. Talkin' Song
  6. 10,000 Men
  7. 2 X 2
  8. God Knows
  9. Handy Dandy
  10. Cat's in the Well

Label : Columbia

Length : 35:21

Released : September 11, 1990

Review (AllMusic) : Dylan followed Oh Mercy, his most critically acclaimed album in years, with Under the Red Sky, a record that seemed like a conscious recoil from that album's depth and atmosphere. By signing Don Was, the king of mature retro-rock, as producer, he guaranteed that the record would be lean and direct, which is perhaps exactly what this collection of simplistic songs deserves. Still, this record feels a little ephemeral, a collection of songs that Dylan didn't really care that much about. In a way, that makes it a little easier to warm to than its predecessor, since it has a looseness that suits him well, especially with songs this deliberately lightweight. As such, Under the Red Sky is certainly lightweight, but rather appealing in its own lack of substance, since Dylan has never made a record so breezy, apart from (maybe) Down in the Groove. That doesn't make it a great, or even good, record, but it does have its own charms that will be worth searching out for Dylanphiles.

Review (Wikipedia) : Under the Red Sky is singer-songwriter Bob Dylan's 27th studio album, released by Columbia Records in September 1990. The album was largely greeted as a strange and disappointing follow-up to 1989's critically-acclaimed Oh Mercy. Most of the criticism was directed at the slick sound of pop producer Don Was, as well as a handful of tracks that seem rooted in children's nursery rhymes. It is a rarity in Dylan's catalog for its inclusion of celebrity cameos, by Slash, Elton John, George Harrison, David Crosby, Stevie Ray Vaughan. The album is dedicated to "Gabby Goo Goo", later explained to be a nickname for Dylan's four-year-old daughter. This has led to the popular assumption that the album's more childlike songs were for her entertainment, something that has never been confirmed nor denied by Dylan. Dylan has echoed most critics' complaints, telling Rolling Stone in a 2006 interview that the album's shortcomings resulted from hurried and unfocused recording sessions, due in part to his activity with the Traveling Wilburys at the time. He also claimed that there were too many people working on the album, and that he was very disillusioned with the recording industry during this period of his career. Dylan critic Patrick Humphries, author of The Complete Guide to the Music of Bob Dylan, was particularly harsh in his assessment of Under the Red Sky, stating the album "was everything Oh Mercy wasn't - sloppily written songs, lazily performed and unimaginatively produced. The first bridge of "2 X 2" ("How much poison did they inhale?") was reminiscent of the menace which pervaded Oh Mercy, but otherwise, where before there had been certainty and sureness, here was confusion and indecision." Humphries saved his harshest attack for the album's opening song, "Wiggle Wiggle": " Then there's "Wiggle Wiggle": worse than anything Dylan has ever recorded? Maybe not that bad, but certainly up there, jostling for position in that particular part of hell, where the jukebox plays nothing but "Joey" (from Desire) and "Had a Dream About You, Baby" (from Down in the Groove). "Wiggle Wiggle" was the one the critics jumped on, particularly the line "Wiggle wiggle wiggle like a bowl of soup", which was taken as proof positive that Dylan had lost it, definitely, permanently, irrevocably. It was hard to disagree - it is hard to reconcile such a line with the man who wrote "Desolation Row" (from Highway 61 Revisited). Of course, you can't get Hamlet or "Like a Rolling Stone" every time out of the traps, but "Wiggle Wiggle"? The album did have some critical support, particularly from Robert Christgau of The Village Voice, who wrote "To my astonishment, I think Under the Red Sky is Dylan's best album in 15 years, a record that may even signal a ridiculously belated if not totally meaningless return to form...It's fabulistic, biblical...the tempos are postpunk like it oughta be, with [Kenny] Aronoff's sprints and shuffles grooving ahead like '60s folk-rock never did." And Paul Nelson, writing for Musician, called the album "a deliberately throwaway masterpiece." When the Voice held its Pazz & Jop Critics Poll for 1990, Under the Red Sky placed at #39. In the end, album sales were disappointing, peaking at #38 on the US charts and #13 in the UK. According to the book Down The Highway: The Life Of Bob Dylan, the disappointing record sales of this album made him depressed. On top of that, Dylan's second wife had just signed for divorce in August 1990. n 2005, Q magazine included the lead-off track "Wiggle Wiggle" in a list of "Ten Terrible Records by Great Artists". Two songs, "Born in Time" and "God Knows", are reworkings of material originally recorded at the previous year's Oh Mercy sessions. Dylan recorded and released the nursery rhyme song, "This Old Man", on the Disney charity album, For Our Children, in 1991, a year after this album was released. Dylan would not put out another new studio album of original material until 1997's Time Out of Mind, and is not known to have recorded any significant original material before beginning work on that album.